15 Minutes Like many ambitious, provocative films, "15 Minutes" is a bit of a mess. Both loyalist and unwieldy, exciting and excessive, this dark thriller is too considerable, too violent and not always convincing. But at the same time, theres no denying that its onto something, that its crude indictment of the nexus involving media, crime and a voracious ordinary is a cinematic statement difficult to ignore. For despite its conventional cops-and-killers format, "15 Minutes" (its title taken from Andy Warhols prediction of how coarse everyone in the future can expect to be famous) is a polemical, apocalyptic film.

Writer-director John Herzfeld is furious a t the "if it bleeds, it leads" nature of our TV news culture, at the intertwined lusts for fame and gore that rule a friendly relationship where publicity is more important than reality, everyone plays the victim, and everything is for sale. Though its anger is a force to be reckoned with, "15 Minutes" finds so...If you want to express mail a full essay, order it on our website:
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