muliebrity as a Symbol in Chapter 2                                 Woman is used more times in Joyces enactment of the workman as a Young Man. Stephen Dedalus, the main cite of the work, is interest by woman. This fascination is played upon in many circumstances. commencement and foremost is the kinship he has with Dante, his aunt. While this relationship is gener anyy discussed in the first chapter, its ramifications can be seen in the second gear. Stephen is untold(prenominal) reminded of his aunt, and the green and red brushes she always had. he draws many conclusions (however malady informed they be) from the knowledge of his aunt. He views women, as did most boys in his culture, as just aboutthing alien; something that he would understand when he grew up. Women be presented as mysterious, as when Stephen is looking at The Beautiful Mabel hunting watch in the evening paper. He stares at the pictu re with confusion and non a little confusion- what should he rule? Stephen is possessing a uncomfortableness that is so melancholy as to be called morbid. He has, resembling most fresh men, horrible doubts about himself. Women unless complicate his disposition. For example, when he says goodbye to Eileen at the tram; he knows he should touch her, plainly he is mortally unnerved to do so. Again, want most boys his age, he thought rationality of women would happen in an instant: Weakness and timidity and                         tenderness would fall from                         him in that magic moment (65). This stems from the Irish Catholic culture that has touch him his whole life. Also, sex before man and wife was a sin- and anything that could bakshis to sex (a kiss) was to be avoided, as that besides could lead to sin. Stephen has such low self-esteem at this point, he is scared of making any move towards any g! irl. some otherwise example of the use of woman is his being teased by Heron and his fellows before the play. Stephens goerness enters the playhouse, waiting to watch Stephen perform. Heron catches convolve of that, and begins to tease him mercilessly, almost driving Stephen to tears. Women have been a constant, fall through wound with Stephen; and, bid a wound that doesnt heal, the subject of women causes him s nonty-nosed e rattling time it comes up. Simply put, Dedalus is not a ladies man, ilk his father. Stephen is constantly reminded of his father being a flirt and dashingly handsome, told by his father himself, and his cronies at the tavern. Stephen is horrified at the singing theme of his father being so adored by the women- that is, in his mind, a sin. Joyce portrays Stephen as a boy assay not to be like his father. To that end, Stephen disdains (or at least acts like he does) womanly company. While pouring over a sham of the Count of Monte Cristo, Step hen also picks up some ideologies on how to deal with women, as can be summed up in this one line: Madame, I never tucker out muskat grapes. This sentence has a wealth of meaning surreptitious therein.

This shows a sad, proud disdain for passionate women. Stephen takes this quote to heart, spiritedness his young life in a ridiculous assure of chastity- a state which backfires viscously at the end of the chapter when he attains the work of a prostitute. Stephen thinks that because he has no luck with women, its their fault. Going inward, he finds that it is much easier to deny himself the pleasure of loving a woman, than to taste to spot one and become rejected. At the end of the second chapter, Stephen finds his urges to much to c! ontrol, and he visits a prostitute. This symbolizes the breaking down of all the walls he has put up since his attendance at Clongowes- his fury of woman, and his fear of God. Stephen is now interested in the needs of the flesh, not the spirit. He wants to live in the moment, and not for the future. This is a very cardinal part of his life- Stephen learns to rebel. Women have been a constant reference work of upthrow for Stephen since the first chapter. This episode dissolves many of these issues he has. later(prenominal) on, he will feel tremendous guilt over what he has done. Only when he confesses to the priest does he feel better- but that is yet another step in his journey. Sex, as visualised in Catholic Ireland, was not healthy to rebuke about. Stephen rebels against this idea, and takes his first step to becoming a man. If you want to subscribe to a full essay, order it on our website:
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